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Mnemosyne's reflection: lingering on memory's threshold

Forfatter: 
Martin Worts
Publisert: 
30.08.2003
Kilde: 
Utstillingskatalog

Nostalgia is a seductive liar. George W. Ball

The past is often viewed as a denial of the present rather than an enrichment of it. Thus nostalgia becomes increasingly important to people who are ill at ease with their present circumstances. Snøfrid Hunsbedt Eiene's drawings of deserted houses have no nostalgic content; they portray devotedly a world without people. Abandoned by inhabitants these meticulously composed houses can act as a meditation point for a dialogue with Mnemosyne*.

Tiden og stedet - Tegnekunst som seismisk registrering av fortid og nåtid

Forfatter: 
Trond Borgen
Publisert: 
06.11.2001
Kilde: 
Stavanger Aftenblad

Og så vendte hun tilbake. Til sitt barndoms rike, hvor alt var som før, men likevel noe helt annet.  Snøfrid Hunsbedt Eiene stiller ut sitt store tegneprosjekt på Hå. Det er barndomsminner som sitter i veggene i de husene hun registrerer med sin fine blyantstrek og sin sans for enkel atmosfære. Hus i bygden der hun vokste opp har forfalt; og hennes møte med dagns tilstand har skapt følsomme tegninger som blir en slags doble portretter. De portretterer gamle, slitte hus, samtidig som de gir oss et gløtt inn i den identiteten som kunstneren har tatt med seg fra dette stedet og ut i verden.

Tegning som meditasjon

Forfatter: 
Ottar Vedelden
Publisert: 
27.10.2001
Kilde: 
Utstillingskatalog

Tegningene som stilles ut er delikate produkter av en møysommelig kunstnerisk arbeidsprosess. I en viss forstand kan hele prosessen tegnes som en slags visuell meditasjon over et tema, med tegning som medium. Motivene er lett gjenkjennelige, hentet fra ca. 15 gamle gårdshus i et typisk sørvest-norsk delvis fraflyttet bygdemiljø.