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Finding Apollo - Snøfrid Hunsbedt Eiene’s paintings 2004-2006

Forfatter: 
Martin Worts
Publisert: 
01.01.2006
Kilde: 
Utstillingskatalog

It turns out that an eerie type of chaos can lurk just behind a facade of order - and yet, deep inside the chaos lurks an even eerier type of order.
Douglas Hofstadter

The pictures in this exhibition are the result of two years work, in one sense this can be called a site specific installation of the artist’s paintings. Snøfrid Hunsbedt Eiene is very aware of the challenges of this particular gallery space – a dominant architecture far removed from the “white cube” galleries that normally house abstract art so well.

Mnemosyne's reflection: lingering on memory's threshold

Forfatter: 
Martin Worts
Publisert: 
30.08.2003
Kilde: 
Utstillingskatalog

Nostalgia is a seductive liar. George W. Ball

The past is often viewed as a denial of the present rather than an enrichment of it. Thus nostalgia becomes increasingly important to people who are ill at ease with their present circumstances. Snøfrid Hunsbedt Eiene's drawings of deserted houses have no nostalgic content; they portray devotedly a world without people. Abandoned by inhabitants these meticulously composed houses can act as a meditation point for a dialogue with Mnemosyne*.

Tegning som meditasjon

Forfatter: 
Ottar Vedelden
Publisert: 
27.10.2001
Kilde: 
Utstillingskatalog

Tegningene som stilles ut er delikate produkter av en møysommelig kunstnerisk arbeidsprosess. I en viss forstand kan hele prosessen tegnes som en slags visuell meditasjon over et tema, med tegning som medium. Motivene er lett gjenkjennelige, hentet fra ca. 15 gamle gårdshus i et typisk sørvest-norsk delvis fraflyttet bygdemiljø.